Award-winning playwright Allison Gregory’s plays have been produced nationally and internationally by a fusion of professional theatres, cabarets, academic stages, and non-traditional spaces. She has received commissions/grants/development from Oregon Shakespeare Festival, The Kennedy Center, The Playwright’s Center, National New Play Network, Northwest Playwrights Alliance, ACT Theatre, Seattle Repertory Theatre, and the Skirball-Kenis Foundation. Her plays have been seen at South Coast Repertory, Arden Theatre, Indiana Repertory Theatre, Orlando Shakespeare Festival, and Contemporary American Theatre Festival, among others. Allison’s spirit of invention takes many forms; her plays range from historical satires centering on under-represented women (Mouth of the South, Wild Horses); to a musical about a pandemic, paranoia, and lesbian vampires (The Night Garden); and muscular contemporary interpretations of mythology (Not Medea); to intimate dramas (Motherland, a reimagining of Brecht’s Mother Courage for a diverse world) and rowdy, irreverent children’s theatre (Go Dog. Go! with Steven Dietz, Red Riding Hood, Junie B. Jones series). She is a recipient of the Julie Harris Playwriting Award, Pacific Playwright’s Award, a three-time O’Neill Finalist, Bay Area Playwright’s selection, and several Rolling World Premieres through NNPN. Allison has been recognized by TYA USA as “One of the 10 Most Produced TYA Playwrights”. Her plays are published by Dramatic Publishing, Concord Theatricals, Playscripts, Smith & Krauss, and Rain City Press. She is currently working on Trent’s Last Case!, an adaptation of a popular 1913 mystery thriller.